Zimmerman’s "The Arabian Nights"

If you'd like a magical escape from the politics, war and social change in the news about the Arab world, Mary Zimmerman's Arabian Nights is the theatrical production for you. Set in ancient Baghdad with subplots in Cairo and around the Middle-East, Arabian Nights presents a glimpse into Islamic life that is so creatively nuanced that it couldn't be replicated in one's wildest dreams. This unique piece of art was clearly crafted by an expert director and playwright. I was fortunate enough to see this play last night courtesy of the discount ticket program at Arena stage, but Zimmerman's latest artistic masterpiece will be playing in DC through February 20^th. (I'd recommend getting tickets as soon as possible because word of mouth travels quickly about these performances and they are more likely to be sold out towards the end of the show's run.)

The plot is built around the story of a young woman who uses storytelling to escape her tragic fate. Over the course of the almost three hour long play, the desperate protagonist draws upon her superb and mesmerizing storytelling skills to captivate her would-be murder and by consequence, the audience too. Her stories are humorous, imaginative and bold. At times, the stories mirror the themes of the main plot, creating parallel representations of love, betrayal and revenge.

Despite its seemingly solemn subject matter, it is actually quite a humorous performance to watch. I laughed consistently throughout the evening as characters tried to trash-talk their way out of trouble in various scenes. The script is delightfully sprinkled with easy puns and sharp wit. Best of all, Arabian Nights provides an imaginative escape without the special effects and frills of Hollywood cinema. Viewers are encouraged to use their own minds and actively participate in forming their own visual image of the play.